The National's "High Violet" - Living Up to Expectations

So the new National album (due May 11th on 4AD Records) has had quite the buzz around it now for several months. Numerous tracks have been strategically leaked and the band played on Jimmy Fallon a few nights back, further building the anticipation for the album. Instead of waiting till the official release date, the full length album was streamed this weekend in concert with a New York Times feature article on the band. (Visit the NY Times to read the full length article)

Like the previous two National releases (Alligator and Boxer) this album has several outstanding tracks that will only continue to grow on you over time. The album keeps to the group's style with very dark, sorrowful lyrics amidst deep, layered instrumental rock. The rich drumming on this release really stands out from the previous albums, as the group is more apt to using lead singer Matt Berninger's classic baritone to augment the music this time around. Stand out tracks include Sorrow, Anyone's Ghost, Runaway and Afraid of Everyone, the latter featuring Sufjan Stevens on background vocals.

No doubt this album is going to find itself on numerous top ten lists at the end of the year. Highly highly recommended.

Johnny Cash's "American VI: Ain't No Grave" - A fantastic swan song

"American VI: Ain't No Grave" is the final release of Johnny Cash material from the much heralded American Recording Series produced by Rick Rubin. Each of the recordings has featured stripped down covers and a few originals which did an amazing job in reinventing Johnny Cash's career. While Cash didn't necessarily need to be reinvented, these new recordings did their purpose and served to reintroduce Cash to a new audience.

While this album is not as good as American II or American VI, there is a vibe in this album that makes it stand out completely differently. Perhaps the album's content, featuring very dark vocals on mortality and redemption, is amplified due to its posthumous release. The opening title track stands as arguably one of the best recordings of the entire series. The cover of the Hawaiian classic Aloha Oe, placed at the end of the album, is as fitting a finale to an album i've ever heard. Also standing out on the album is the cover of Sheryl Crow's Redemption Song and the cover of the Sons Of the Pioneers' cowboy classic Cool Water.

Unlike other posthumuous releases, which compile B-Sides and discarded material, this release truly represents the final recordings of the late great Johnny Cash. We should all be thankful to be able to hear one last set of recordings from him. Highly recommended!

Broken Bells - Darker that you think...

This is really a fantastic listen. James Mercer of The Shins and Danger Mouse have crafted an album of airy harmonies intermixed with psychedlic production. While the music itself is somewhat light, what might be missed at the first few listens is the relatively dark nature of the lyrics on the album centering on breaking up, moving on, etc. Unfortunately, Broken Bells is not nearly as good as any Shins' album or other Danger Mouse produced albums, but it has several good moments and you'll definitely find yourself enjoying the ride. Recommended.

The Flaming Lip's "Dark Side Of the Moon" - A Stellar Effort

First things first. I promised to blog more and beginning this week I will blog more. Expect weekly album reviews, sports rants and misc nonsense. I'm going to start this week by catching up with some albums already released this year.



Now I love Pink Floyd and DSOTM has always been one of my all time favorite albums. That being said, this effort by the Flaming Lips, arguably the only band "worthy" of remaking this seminal album, is quite good and well worth the listen. The album is a straight cover of the original album done not completely note for note, but in a very Flaming Lips psychedelic type of way

I particularly am fond of the use of Henry Rollins and Peaches. The guest appearances are not over-bearing and never take away from the original material. I think what makes this album so good is that it actually serves in many ways to remind you how good the original album is. For instance, after many years on classic rock radio, Money has become stale and boring; however the reworking on this album not only is well done, but it serves to refresh the original.

In the end, the original album is always going to be one of the most important albums of all time. Any reimagining/reworking of the album has to be done with nothing but the greatest of respect to the original material. This was the right group to do this. Well done.